Interviewees

The Berlin Philharmonic play in an empty Philharmonie in Berlin, but for a worldwide audience during the pandemic. March 2020. Photo: Stephan Rabold. | Right: Ron Arad, Quartet, 2021. Courtesy of the artist.

Ron Arad
Quartet

Ron Arad believes in breaking expectations with his art. Inspired by a ‘one string-cello’ found in a flea market 40 years ago, he created a string quartet that plays itself. In his Quartet, four instruments are arranged on empty chairs. Arad discussed the piece in a recent conversation with Shifting Vision.

On each instrument Arad and his team have installed a resonator, one of the components usually found in a speaker. It converts the signals played on a laptop into frequencies that vibrate through the wood of the string instruments. Celebrated violin maker Stefan-Peter Greiner collaborated with Arad on the project. In response to the ban on mass gatherings due to COVID-19, many orchestras performed in vacant halls and streamed their concerts over the Internet; in Quartet the opposite happens: the ghostly quality of Arad’s empty chairs reminds us that the musicians are absent.

Ron Arad, Quartet, 2021. Sound test at Roundhouse, London. Courtesy of the artist.

When Arad grew up in Tel Aviv, his parents, both artists, told him he could play any musical instrument, except the violin. ‘My brother Atar, who is six years older than I am, was a gifted violinist. He is now a great musician and composer.’ Atar Arad composed Whims, a piece for the installation, which was performed by the Pacifica Quartet.

The making of Quartet. Stefan-Peter Greiner Workshop, London. Courtesy of Ron Arad.

‘When my brother came to visit me in London we went to Greiner’s workshop. It was an incredible place. The piece started from a visit to an amazing instrument maker and from my own interest in sound. The beauty comes from the memory of violins, the memory of recent art history, craftsmanship — and the sound,’ Arad said.

‘When you listen to the music in the room it induces a different form of attention. It sounds great, yet also mysterious. For me it was a real pleasure to see Greiner, who has worked with violins all his life, trying to understand: what am I missing, what is this sound?’ he explained.

The making of Quartet and the Solo works. Stefan-Peter Greiner Workshop, London. Courtesy of Ron Arad.

‘I had no idea what would happen when I got into it, even with installation, exhibiting and viewing. I’m very excited about it being in Tel Aviv at the Gordon Gallery.’

The show opened April 20th 2021 at the Gordon Gallery, Tel Aviv.

 

Related links

Ron Arad
Gordon Gallery, Ron Arad: Strings, Love Songs and a Red Car, 2021
Five standout pieces at the Ron Arad 69Five standout pieces at the “Ron Arad 69” exhibition, Deezen, 2021
In a Pandemic, Musicians Play in Empty Halls for Audiences Online, The New York Times, 2021
Ron Arad: In the Studio, BBC, 2020
Ron Arad launches “Smile for our NHS” fundraiser with masks featuring famous artists, Deezen, 2020 Ron Arad, architect and designer: portrait of the artist, The Guardian, 2013
Stefan-Peter Greiner on individuality in violin making, The Strad, 2020

 

With special thanks to Ron Arad Studio and Gordon Gallery, Tel Aviv